
Our recent work with Creative Dignity and Tarasha ( A Titan Initiative), involved working on the Silver Filigree of Karimnagar. learning and experiences all the way from Telangana, India. 
This was supported by the teams of Crafts Council of Telangana and Creative Dignity. The project led by Saumya Pankaj, Founder of The India Craft Project - started with a fly on the wall, understanding people, processes and challenges faced by the artisans. 

We then started with design and visualisation workshops with the women of Filigree, learning local concepts, developing on those and executing those into the craft for Filigree while understanding trends.


The project continues as a mentorship but some key tangible outcomes were a jewellery collection, big and small ones, developing on existing designs and adding collateral for maintenance and silver certification as part of their product packaging to establish trust with the potential buyers.
TICP x Hoshiarpur Wood Inlay


The art of wood inlay from Hoshiarpur has been shaped over centuries, evolving from the ateliers of the Mughal courts to contemporary homes while preserving its remarkable precision and discipline. Defined by intricate patterns and meticulous craftsmanship, every piece reflects a tradition where patience and skill are at the heart of the making process.

Each design is carefully built by hand. Individual pieces of wood, bone, resin, or other inlay materials are cut, placed, and finished with extraordinary precision, creating surfaces that are as enduring as they are intricate. What appears delicate is, in reality, the result of generations of technical mastery.
Today, this timeless craft finds new expression through objects designed for hosting, gifting, and everyday living - bringing heritage into contemporary spaces with quiet elegance.

TICP x Bidri

This Bidri piece draws inspiration from the understated elegance of Deccan metalcraft, where everyday objects were shaped with a careful balance of form, function, and craftsmanship. Rather than relying on elaborate ornamentation, its character emerges through proportion, silhouette, and the quiet precision of handwork.
The making of Bidriware begins long before the silver is introduced. A zinc-rich alloy is first cast and shaped by hand, after which intricate recesses are engraved into the surface. Pure silver wire or sheet is then carefully hammered into these grooves, creating a seamless bond between the two metals. Its restrained geometry allows the material contrast to take centre stage. The deep matte-black finish is achieved through Bidar's centuries-old blackening process, where a unique soil-based treatment reacts with the zinc-rich alloy while leaving the silver untouched.

The result is a striking interplay of darkened metal and luminous silver - an expression of a craft tradition that has been refined over generations. Designed for contemporary use yet crafted with the material integrity of a collectible object, this piece brings the enduring legacy of Bidriware into everyday life.
TICP x Bijapur Metal Jewellery
Rooted in the living traditions of South India, Banjara jewellery is more than adornment - it is a reflection of identity, memory, and craftsmanship passed from one generation to the next. Worn with pride and preserved as heirlooms, these ornaments carry stories of communities, journeys, and the enduring spirit of their makers.
Handcrafted by Banjara women artisans, each piece is shaped through time - honoured techniques that have evolved over generations. From melting and shaping metal to assembling delicate silver elements by hand, every stage reflects remarkable skill, patience, and precision. Each ornament bears the imprint of its maker - her hands, her heritage, and the rhythm of a craft that continues to thrive despite changing times.

The making process is equally significant. In Bijapur, metal is not formed in a single gesture but built piece by piece. Soldering demands an intimate understanding of heat, timing, and material, where every joint is created with care and every detail contributes to the strength of the final form. The result is a harmonious balance between craftsmanship and material, refined through years of experience.
At The India Craft Project, our collaboration with Banjara artisans extends beyond creating beautiful objects. It is rooted in preserving traditional knowledge, celebrating the women who sustain these craft practices, and fostering opportunities that support creative livelihoods. Every piece represents not only exceptional artistry but also a shared commitment to keeping India's living craft traditions vibrant for generations to come.
TICP x Bamboo & Cane Craft
Our journey with bamboo and cane is shaped through close collaboration with artisan partners in Assam, where generations of craftsmanship continue to thrive. Together, we explore new possibilities while honouring traditional techniques, creating products that balance innovation with the integrity of the craft.
At The India Craft Project, we believe the finest products emerge from meaningful partnerships. Every collaboration is an exchange of ideas, where artisan knowledge guides the design process and contemporary needs inspire new interpretations of traditional craftsmanship.
The pieces that emerge are more than handcrafted objects - they are a reflection of trust, shared creativity, and the enduring legacy of Assam's bamboo and cane traditions.
TICP x Blue Pottery
The Sukoon Saucer/Coaster celebrates the timeless beauty of Jaipur's Blue Pottery - one of India's most distinctive ceramic traditions and the only form of pottery that is made without clay. Instead of clay, the body is crafted from a unique blend of ground quartz stone, powdered glass, Fuller's Earth (Multani Mitti), borax, and other natural binding materials. This composition, combined with a series of skilled handcrafting and firing processes, gives Blue Pottery its delicate translucence, smooth finish, and unmistakable character.
The origins of this craft can be traced back to the decorative glazed tiles of Central Asia, where they adorned mosques, tombs, and palaces. Introduced to India during the Mughal period, the technique gradually evolved beyond architectural ornamentation into the exquisite pottery tradition that flourishes in Rajasthan today.
Every piece is hand-painted using mineral-based pigments, with cobalt oxide creating the iconic deep blue and copper oxide lending rich green tones. These colours, set against a luminous white glaze, define the classic Blue Pottery palette, while contemporary artisans continue to explore new hues and interpretations without losing sight of the craft's heritage.
Designed for everyday use or display, the Sukoon Saucer/Coaster brings together centuries of craftsmanship, material innovation, and artistic tradition - offering a quiet reminder of India's enduring ceramic legacy.
TICP x Moonj & Sikki Basket

Handwoven from the golden grasses of Moonj and Sikki, this basket celebrates a craft tradition deeply rooted in the cultural landscapes of Bihar and Uttar Pradesh. Once a part of everyday life, the intricate art of grass weaving is now sustained by artisan communities who continue to preserve and reimagine it for contemporary living. Every basket is carefully coiled and woven by hand, with vibrant natural and dyed grasses brought together through techniques refined over generations. The intricate patterns, colourful ornamentation, and delicate weaving reflect not only exceptional craftsmanship but also the creativity and imagination of the artisans who transform humble natural fibres into enduring objects of beauty.

Beyond its artistic value, Moonj and Sikki weaving plays an important social role. For many women artisans, this craft has become a source of economic independence, strengthening livelihoods and creating greater opportunities for participation in household and community decisions. Each basket therefore represents both a living tradition and the resilience of the women who continue to carry it forward.
At The India Craft Project, we are proud to collaborate with these artisan communities to preserve and celebrate this remarkable craft. Whether used for gifting, storage, or as a decorative accent, the Moonj & Sikki Basket brings warmth, craftsmanship, and a meaningful story into every home.
TICP x Mata ni Pachedi

Mata ni Pachedi, often known as the "cloth temple," is a centuries-old sacred art tradition practised by the Vaghri community of Gujarat. Created as portable shrines for communities without access to temples, these hand-painted textiles became spaces of devotion, storytelling, and collective worship.
Each piece begins with humble cotton, carefully prepared by hand before being painted with natural pigments in the traditional palette of red, black, and white. At its centre is the revered Mother Goddess, surrounded by intricate depictions of devotees, animals, sacred symbols, and narrative motifs. Every figure, border, and pattern carries meaning, reflecting a visual language where nothing is created without purpose.
The making of Mata ni Pachedi is a meticulous process that combines drawing, hand painting, and traditional dyeing techniques passed down through generations. More than an artistic practice, it is an expression of faith - where every brushstroke becomes an act of devotion and every finished textile embodies a living cultural tradition.
